Documentary week
Documentary Week is a DocMontevideo space for showing films. Every day a new film will be presented by its director or team member and shown. At the end of each film showing is held a participative dialogue between the film makers and members of the audience.
327 Notebooks
Andrés Di Tella / Argentina, Chile / 2015 / 81'
After the exhibition, open dialog with:
Andrés Di Tella
Andrés Di Tella (Argentina) directed Montoneros, una historia (1995), Macedonio Fernández (1995), Prohibido (1997), La televisión y yo (2002), Fotografías (2007), El país del Diablo (2008) Hachazos (2011), ¡Volveremos a las montañas! (2012), Máquina de sueños (2013), El ojo en el cielo (2013) and 327 cuadernos (2015). His work spans installations, performances, video art and TV programs in Argentina, USA and UK. He was the founding director of the BAFICI.
New Venice
Emiliano Mazza de Luca / Uruguay, Colombia, Mexico / 2016 / 80'
After the exhibition, open dialog with:
Emiliano Mazza De Luca
Emiliano Mazza De Luca (Uruguay). Montevideo 1970. Director, Producer. In 2011 he created Passaparola, where he directed and produced the feature films: New Venice (2016, 80-52min), Crowds (2014, 65min), Life on Board (80min editing.) and Plano, Color y Línea, (on the painter Joaquín Torres Garcia in development). Between 1997 and 2011 he worked as producer of advertising. He studied at the EICTV, the Executive Production Workshop of Sandy Lieberson and the BERLINALE TALENT 2015.
Martha Orozco
Martha Orozco (Mexico). Filmmaker. Human Rights documentarires. Her latest films are New Venice and Beyond my grandfather Allende (L’oeil D’or Cannes2015). Awarded by the Mexican Academy for the film Cuates de Australia. Directs the Department of Production at the EICTV. 2011 EURODOC generation. She wrote the Production Manual and conducts more than 50 workshops with: Ibermedia, MoreliaLab, Talents, Cinergía, Ambulante, ESGAE. Advisor at DocTV. She is a Jury member of Leipzig- FICG-IDFA.
Jonas and the Backyard Circus
Paula Gomes / Brazil / 2015 / 81'
After the exhibition, open dialog with:
Paula Gomes
Paula Gomes (Brazil) is director and screenwriter. Her new movie Jonas and the Circus without Tent, had its world premiere at IDFA, and won the TFI Latin America Arts Fund 2014, awarded by the Tribeca Film Institute (USA). The film was also ahown at the É Tudo Verdade Festival and received the Audience Award at the Festival of Toulouse. Paula also directed the short film Pornographico, which won 17 awards at festivals.
35 and single
Paula Schargorodsky / Argentina, USA, Spain / 2016 / 73'
After the exhibition, open dialog with:
Rosario Suárez
Rosario Suarez (Argentina) is designer of Image and Sound at the UBA. She started editing advertising for renowned directors and agencies in Buenos Aires. Two years later she began working in film. Since then she has edited over thirty feature films and documentaries. She participated of the Berlinale Talent Campus and the editting clinic DOK INCUBATOR. She is a founding member of the Argentinean Society of Audiovisual Editors, SAE.
Julieta Bárbara Steinberg
Julieta Steinberg (Argentina) works as a screenwriter since 2004. She participated in film projects such as “Musica en Espera” and “35 and single”. Also in several TV projects like: Hermanos y Detectives, Guapas, Yo Soy Franky, etc. Currently she is writing a tv series called HEIDI with Marcela Citterio, a series for Nickelodeon. She also directed a shortfilm called “Cómo Olvidar Un Amor en 21 Pasos”, premiered at the Mar del Plata International Film Festival.
Cinema Novo
Eryk Rocha / Brazil / 2016 / 92'
After the exhibition, open dialog with:
Eryk Rocha
Eryk Rocha (Brazil) directed in 2002 Rocha que Voa, his first feature film. In 2006 he directed his second feature, Intervalo Clandestino. In 2009 his film Pachamama was shown and awarded in many festivals. In 2011 he premiered his first fiction feature, Transeunte. In 2015 he directed Campo de Jogo. In 2016, he premiered Cinema Novo, his seventh feature film, at the Cannes Film Festival, in which he was awarded with the L’Oeil D’Or for best documentary film.
Los de Siempre
José Pedro Charlo / Uruguay / 2016 / 51'
After the exhibition, open dialog with:
José Pedro Charlo
José Pedro Charlo Filipovich (Uruguay) is a director, producer and teacher. He directed the documentary films At five o’clock, Hector Weaver, The Circle and The Almanac. His documentaries have been screened at festivals, exhibitions and television broadcasters in America and Europe. He produced the fiction films Waiting (2002, dir. Aldo Garay) and Alma Mater (2005, dir. Alvaro Buela).
Oleg and the rare arts
Andrés Duque / Spain / 2016 / 66'
After the exhibition, open dialog with:
Marta Andreu
Marta Andreu (Spain) is the academic coordinator of DocMontevideo. She is the academic coordinator of the master’s in creation documentary course at the Universitat Pompeu Fabra. She teaches port-graduate documentary film courses at the Universidad Rovira y Virgili in Tarragona. In 2004-2005 she coordinated a Spanish documentary cinema retrospective for Cinéma du Réel. She analyses documentary scripts for the Centre de Desenvolupament Audiovisual. In 2004 she founded Estudi Playtime in order to devote her time to producing creation documentaries. She has a degree in audiovisual communication and a master’s in creation documentary from the Universitat Pompeu Fabra.
First Cousin Once Removed
Alan Berliner / United States / 2012 / 79'
After the exhibition, open dialog with:
Alan Berliner
Alan Berliner (United States) is one of America’s most acclaimed independent filmmakers. His films First Cousin Once Removed (2013), Wide Awake (2006), The Sweetest Sound (2001), Nobody’s Business (1996), Intimate Stranger (1991), and The Family Album (1986), have been broadcast all over the world, and received awards, prizes, and retrospectives at many major international film festivals, have become part of the core curriculum for documentary filmmaking and film history classes at universities worldwide and are in the permanent collection of the Museum of Modern Art.